A magnificent program in solo-symphonic harmony of opposites: two piano concertos by Wolfgang Amadeus Mozart, two serenades by Antonín Dvořák - and yet both pairs of works could hardly be more different. Mozart's A major concerto KV 488 is one of his most intimate, balanced pieces of the genre, chamber music simplicity, grace and nobility reign. The concerto K 466 represents a breakthrough in many respects. It is the first example of a symphonic piano concerto with large, independent orchestral passages: the solo piano temporarily takes a back seat and supports the development of other instrument groups. The two Dvořák serenades are also complementary, one only for strings, the other (almost) only exclusively for wind instruments. Of course, Sir András Schiff and the Chamber Orchestra of Europe also form a splendid combination: an autumn gold prelude entirely in the spirit of exhilarating, communal music-making